Saturday, 28 May 2011

Quote of the day

"Extraordinary people make choices that are consistent not only with the highest expression of themselves but with the greater good of the world." -Debbie Ford

Wednesday, 18 May 2011

Quote of the Day

De-accumualtion+Alkalization+minerilization=regeneration and illiunination

Sunday, 8 May 2011


" I believe that producing pictures, as I do, is almost solely a question of wanting so very much to do it well"

" To have peace with this peculiar life; to accept what we do not understand; to wait calmly for what awaits us, you have to be wiser than I am"

" I don't grow up. In me is the small child of my early days"

" The things I want to express are so beautiful and pure"

" So let us then try to climb the mountain, not by stepping on what is below us, but to pull us up at what is above us, for my part at the stars; amen"

Dirk Dzimirsky

I want to capture and describe a persons precence and specific inner self. Similar to what a detailed writer might employ in their analysis of an individual, I portray not only the physical attributes, but more importantly the subjects inner presence of life. It's not too obvious as my work appears most detailed, but I understand my approach as both representational and lyrical, using marks like words and textured areas like paragraphs. All parts of a whole, telling a story about a human being.

I choose drawing over painting as this allows me to create many layers over layers of lines and dots which react to each other in order to create a vibrant texture with directions and movement. This approach enables the finished work to be viewed more by the "senses" as opposed to the standard visual observation of a photo. Personally, I view the practice of drawing as reminiscent of scratching on a surface to observe what's hidden underneath, where as the nature of painting projects more the inverse, covering and hiding details and forms that might have contributed to a sensuality of a work.

I use photos as references for my drawings but I am not after a perfect reproduction at all. I use a photo very loosely once the proportions are established. I usually work as if I were drawing from a live model actually. I work with movement and expression, working fast on larger, more unimportant areas, and slowing down on parts that need more attention. I am actually improvising a lot. My main concern is to capture the essence and substance of forms in order to get close to a perceptible presence of the subject.